Guitar Lessons, Songs, Tips & More
Summer NAMM ’11 – Electro-Harmonix Ravish Sitar Demo was uploaded by: premierguitar
Duration: 295
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Summer NAMM ’11 – Electro-Harmonix Ravish Sitar Demo
via premierguitar:
www.premierguitar.com PG’s Chris Kies is On Location at the 2011 Summer NAMM Show in Nashville, TN, where he visits the Electro-Harmonix booth. In this segment, we get to see and hear a demo of their newest guitar stompbox — the Ravish Sitar pedal. For more Summer NAMM ’11 video demos or to view Premier Guitar’s COMPLETELY FREE digital edition magazine, be sure to visit http
Electro-Harmonix NYC Headquarters Tour was uploaded by: premierguitar
Duration: 556
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Electro-Harmonix NYC Headquarters Tour
via premierguitar:
http://www.premierguitar.com PG’s Rebecca Dirks is on location in New York, New York, where she visits the Electro-Harmonix NYC headquarters and gets led on a tour by the company’s Founder and CEO Mike Matthews.
For more Factory Tours or to watch one of Premier Guitar’s 1600 other videos online, be sure to visit http://www.premierguitar.com/video
World’s first face-controlled guitar effect! was uploaded by: FrontierDesignGroup
Duration: 69
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This is a preview of Frontier Design Group’s iShred Live, which features a new low pass filter with variable cutoff and resonant frequency control.
The real fun comes in for those of you running iOS 5 on a camera equipped device. Face control!
That’s right, you can control this effect with your face! It uses the new built-in iOS 5 face tracking to watch where your face is and track the cutoff and resonant frequencies when you move it.
Maybe not the most practical way to control it – but at least they’re trying something new!
Multi Eventide stompbox demo jam freakout! was uploaded by: SourceDistributionTV
Duration: 770
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Multi Eventide stompbox demo jam freakout!
via SourceDistributionTV:
The results of an improvised mess-about tweaking all our in-house Eventide Stompboxes, sometimes all at once. The chain is Suhr Guitar into Eventide ModFactor fed into TimeFactor, then into Pitchfactor, then into a Jet City 50 Watt 2 x 12 Combo amp. Guitar is provided by Source’s resident shredder Ian Iredale, knob twiddling by Alex. You can hopefully get an idea for the sheer range of ideas, sounds and general all round genius these particular pedals provide.
Eventide stompboxes are as much studio effects as they are guitar effects (all are stereo, with selectable Line/Guitar input/output volumes), all sound completely fabulous and are easy to use, but still super super deep.
Mic setup is Shure SM57 on the cone going into a UA 610, RØDE NTG1000 on the rear of the cab, RØDE NTG2 to pick up our voices, all fed into a PreSonus FireStudio Mobile for conversion.
For more info on the Eventide Stompbox range (note the new Space reverb we didn’t have in time for this session!): http://www.eventide.com/AudioDivision/Products/StompBoxes.aspx
To find a dealer in the UK: http://www.sourcedistribution.co.uk/
…And finally, follow! http://www.twitter.com/sourcedist
Electro-Harmonix Effectology, Vol.21 “Turn you guitar into a string synth and tin whistle.” was uploaded by: Effectology
Duration: 146
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The latest episode of Bill Ruppert’s Electro-Harmonix Effectology series looks at how to turn you guitar into a string synth and tin whistle using effects pedals.
See the EHX site for pedal settings.
Electro-Harmonix Micro POG with a Bass was uploaded by: joerobot32
Duration: 308
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This video is a demo of the Electro-Harmonix Micro POG with a Bass guitar. Continue reading “Electro-Harmonix Micro POG Demo”
Hot to use Behringer Guitar Link with Guitar Rig 3 Software Edition (Review Sound Testing Overview) was uploaded by: DiFuXioN
Duration: 585
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Hot to use Behringer Guitar Link with Guitar Rig 3 Software Edition (Review Sound Testing Overview)
via DiFuXioN:
This is a basic explanation of using Behringer Guitar Link USB with Guitar Rig 3 Software Edition. You can see how it works and hear it in action. Very nice software and easy to use.
AmpliTube 2 live at NAMM – guitar software was uploaded by: ikmultimedia
Duration: 141
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AmpliTube 2 live at NAMM – guitar software
via ikmultimedia:
For more information, visit www.ikmultimedia.com Raphael Moreira plays AmpliTube 2 at winter NAMM 2006
Joe Satriani and VOX – Satchurator Distortion Pedal was uploaded by: VoxAmplification
Duration: 459
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VOX has introduced the first pedal in an ongoing collaboration with guitar icon Joe Satriani.
Drawing on Joe Satriani’s knowledge, accumulated from decades of groundbreaking performances, VOX unveils The Satchurator distortion pedal. Designed to Satriani’s exact specifications. The Satchurator produces Satriani’s signature tone and adds new features and improvements never before combined in a distortion pedal.
The Satchurator is capable of very high gain levels, but operates more quietly and musically than other modern distortion pedals. It also preserves the tone and pick-attack of the guitarist plugging into it, regardless of style, from subtly distorted blues tones through classic rock and shred. The result is a professional-quality pedal that recaptures sought-after vintage and modern sounds in a powerful, versatile and extremely musical pedal design.
“The Satchurator is the most musical, most dynamic, multi-function distortion pedal I’ve ever played through,” says Satriani. “This little red box is a monster tone generator. Following my specifications without compromise, and adding design innovations I never thought possible, the VOX team has delivered exactly what I need for the stage as well as the studio”
via VoxAmplification
MXR ZW-44 Zakk Wylde Overdrive Pedal demo was uploaded by: ToneFactor
Duration: 244
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MXR ZW-44 Zakk Wylde Overdrive Pedal demo
via ToneFactor:
The MXR ZW-44 Wylde Overdrive Pedal performs like Zakk. Whether on his groundbreaking work with Ozzy Osbourne or with his own Black Label Society, Zakk Wylde’s guitar playing is loud, tough, and relentless. Zakk’s take-no-prisoners attitude extends to his quest for tone, too. His signature ZW-44 overdrive pedal will turn your clean amp into a heavy, chunky, crunch machine. Or, use it like Zakk does and kick it in front of a dirty amp for a screaming, sustaining lead tone. 3 simple controls output, tone, and drive make getting up and running easy, so you can concentrate on your chops.