Joe Satriani and VOX – Satchurator Distortion Pedal


Joe Satriani and VOX – Satchurator Distortion Pedal was uploaded by: VoxAmplification
Duration: 459
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VOX has introduced the first pedal in an ongoing collaboration with guitar icon Joe Satriani.

Drawing on Joe Satriani’s knowledge, accumulated from decades of groundbreaking performances, VOX unveils The Satchurator distortion pedal. Designed to Satriani’s exact specifications. The Satchurator produces Satriani’s signature tone and adds new features and improvements never before combined in a distortion pedal.

The Satchurator is capable of very high gain levels, but operates more quietly and musically than other modern distortion pedals. It also preserves the tone and pick-attack of the guitarist plugging into it, regardless of style, from subtly distorted blues tones through classic rock and shred. The result is a professional-quality pedal that recaptures sought-after vintage and modern sounds in a powerful, versatile and extremely musical pedal design.

“The Satchurator is the most musical, most dynamic, multi-function distortion pedal I’ve ever played through,” says Satriani. “This little red box is a monster tone generator. Following my specifications without compromise, and adding design innovations I never thought possible, the VOX team has delivered exactly what I need for the stage as well as the studio”

via VoxAmplification

MXR Carbon Copy Analog Delay


MXR Carbon Copy Analog Delay was uploaded by: ProGuitarShopDemos
Duration: 378
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MXR Carbon Copy Analog Delay

via ProGuitarShopDemos:

www.ProGuitarShop.com – The new MXR Carbon Copy Analog Delay is one tasty delay echo pedal. Guitarists who have been missing the warm, thick sounds of 70’s bucket-brigade delay pedals will be delighted by the MXR Carbon Copy. The purely analog signal path preserves the warm and smooth tonal qualities and lets you get everything from short, sweet slapback echo to 600 milliseconds of cavernous, ghostly delays. The controls are quite basic. Even the most blockheaded guitar monkey should be able to figure the MXR Carbon Copy Delay out. Knobs controls are for Delay Time, Wet/Dry Mix, and Repeats. There is also a modulation button on top to add some shimmering, modulated goodness. Two internal trim pots control the width and rate of the aforementioned modulation. This is a great feature that really kicks this little echo pedal up a notch on the “lush-o-meter”. Other features of the Carbon Copy include a smart looking sparkle forest green finish, beautiful blue LED, and 9V battery or AC Adapter operation. Dig it…

MXR ZW-44 Zakk Wylde Overdrive Pedal demo


MXR ZW-44 Zakk Wylde Overdrive Pedal demo was uploaded by: ToneFactor
Duration: 244
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MXR ZW-44 Zakk Wylde Overdrive Pedal demo

via ToneFactor:

The MXR ZW-44 Wylde Overdrive Pedal performs like Zakk. Whether on his groundbreaking work with Ozzy Osbourne or with his own Black Label Society, Zakk Wylde’s guitar playing is loud, tough, and relentless. Zakk’s take-no-prisoners attitude extends to his quest for tone, too. His signature ZW-44 overdrive pedal will turn your clean amp into a heavy, chunky, crunch machine. Or, use it like Zakk does and kick it in front of a dirty amp for a screaming, sustaining lead tone. 3 simple controls output, tone, and drive make getting up and running easy, so you can concentrate on your chops.

BOSS FBM-1


BOSS FBM-1 was uploaded by: RemorsePL
Duration: 225
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BOSS FBM-1

via RemorsePL:

BOSS/Roland is proud to announce the new Legend Series FBM-1/FDR-1 earned Best in Show honors at the Winter NAMM Show in January 2007. The popular Best in Show panel capped NAMM Universitys free breakfast sessions offered during the show, held January 18-21 in Anaheim, California. A group of industry experts were invited to shop the show on Thursday, Friday and Saturday, pick their favorite companies, products and services and present the winners in five categories during the Sunday morning panel. The Legend Series FBM-1/FDR-1 earned Best in Show accolades. Fender amps of the 50s and 60s are beloved and coveted by guitarists around the world. Thanks to BOSS technology and tone know-how, the new FBM-1 brings the natural, fat, rich, bright tone of the Fender Bassman to a BOSS pedal. In conjunction with Fender, the new BOSS FBM-1 recreate the legendary tone of 1959 Fender Bassman. Features include the same controls on the original Bassman: Presence, Treble, Mid, and Bass EQ controls. The FBM-1 also functions perfectly as a pre-gain pedal placed before an already overdriven amp to add the tone character of the Bassman. Recreates the legendary tone of the 1959 Fender Bassman amp Additional BRIGHT IN provides a brighter sound, similar to the original Bassman Presence, Treble, Mid, and Bass EQ controls Road-tough BOSS metal construction Perfect pre-gain pedal for adding or retaining Fender tone color

FBM-1 Pedal Compacto BOSS Fender Bassman


FBM-1 Pedal Compacto BOSS Fender Bassman was uploaded by: RolandLatinAmerica
Duration: 189
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http://www.youtube.com/watch?v=XAn0WAcMk2U

FBM-1 Pedal Compacto BOSS Fender Bassman

via RolandLatinAmerica:

Pedal Compacto BOSS FBM-1 Fender Bassman, Los amplificadores Fender de los 50’s y 60’s son apreciados y codiciados por guitarristas de todo el mundo. Gracias a la tecnología de BOSS ya sus conocimientos de sonido, el nuevo FBM-1 de BOSS captura el sonido natural, grueso, rico y brillante del Fender Bassman en un pedal compacto BOSS. Producto del trabajo e investigación Junto con Fender, el nuevo BOSS FBM-1 recrea el sonido legendario del Fender Bassman de 1959. Entre sus características se encuentran los mismos controles del Bassman original: [potenciometros] Presence, Treble, Mid y Bass EQ. El FBM-1 también puede utilizarse perfectamente como pedal de pre-amplificacion, situado antes de un amplificador ya saturado para agregar el carácter tonal del Bassman.

ML-2 Pedal Compacto BOSS Metal Core


ML-2 Pedal Compacto BOSS Metal Core was uploaded by: RolandLatinAmerica
Duration: 79
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http://www.youtube.com/watch?v=RoGucrnM1Cs

ML-2 Pedal Compacto BOSS Metal Core

via RolandLatinAmerica:

El pedal de distorsión mas potente y pesada que haya creado BOSS. Con su ganancia extrema, El ML-2 es el pedal de distorsión mas potente y pesada que haya creado BOSS. Ofrece una enorme distorsion y ganancia con graves muy pronunciados para tocar Nu Metal, Grind Core, Industrial, Hard Core, o cualquier otro genero que requiera de un sonido extremo y aplastante. El feroz y punzante sonido del ML-2 complementara y atravesara cualquier ritmo explosivo que tu sección de ritmo pueda crear

Demo of the Boss SL-20 Slicer Pedal


Demo of the Boss SL-20 Slicer Pedal was uploaded by: SpringfieldMusic
Duration: 288
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Demo of the Boss SL-20 Slicer Pedal

via SpringfieldMusic:

COMMENTS PLEASE! SL-20: Slicer Instant Audio Adrenaline Inject a shot of high-octane fuel into your music with the SL-20 Slicer. Instantly transform a guitar, bass, keyboard, or vocal into a pulsating groove instrument. Choose from 50 onboard Slice patterns or experiment with the SL-20’s innovative Harmonic Slicer feature, which generates percussive melodies, Loop Record, and unique 3D Panning. * Instant groove and percussive-melody generator * 50 Slice patterns onboard, with adjustable attack and duration, including Harmonic Slice * Tap Tempo via onboard pedal switch; internal and MIDI sync * Sound characteristics such as attack, duration, effect level, and direct level are controllable via external Expression pedal (sold separately) * Variety of output modes, including the unique 3D Panning for spacious sliced FX Recorded by Springfield Music @ 2008 Summer Namm www.springfield-music.com myspace.com/springfieldmusic youtube.com/springfieldmusic

BOSS Harmonist HR-2 harmonizer pedal demo


BOSS Harmonist HR-2 harmonizer pedal demo was uploaded by: rednebb
Duration: 131
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BOSS Harmonist HR-2 harmonizer pedal demo

via rednebb:

This is a demo of the BOSS Harmonist HR-2. It was produced from 1994 to 1999. I couldn’t find any demos of this pedal, so I decided to make one myself.. It was one of the first compact harmonizer pedals, and it can create two different harmonies up or down: -/+ 3,4,5,6 and OCT. You can select between all 12 different keys, and adjust the level for each voice individually. It can also create a “detune”/chorus effect. I’m using a “Y”-split cable to split my guitar signal to both the “Detector in” input on the HR-2, and my V-Stack BHM preamp pedal. Then the signal goes from the V-Stack to the HR-2’s normal input. The stereo output from the HR-2 goes straight into Cubase music software, with just a little reverb added in the mix. I’m giving you some examples here of what this pedal can do, more info on the video text. www.ketilstrand.com